The original pentalogy of the Planet of the Apes franchise began a slow decline with Beneath the Planet of the Apes. Producing a movie per year from 1970 to 1973, the series died with Battle for the Planet of the Apes. Given that Dawn of the Planet of the Apes has been compared with this original final installment, it seemed time to reacquaint myself with it. The early seventies, as I recall them, were tense times. Social unrest both at home and abroad, coupled with a maddeningly increasing nuclear arsenal, seemed a recipe for disaster. Indeed, the world does end with the second installment of the pentalogy, a scenario set up in the final episode as the Alpha-Omega bomb, guarded by mutants, is declared worthy of reverence. Only through the magic of time travel do Cornelius and Zera travel back to the paranoid 1970s to start the whole series over again. The Battle for the Planet of the Apes, apart from its preachiness, does overflow with religious language and rhetoric. Indeed, it begins with a reading of Scripture from the Lawgiver. Pentalogy or Pentateuch?
Caesar is said to be the savior of apes and, like in the current Dawn, the sympathies of the viewer are with the apes. Gorillas, the frat boys of the ape universe, do indeed cause troubles, with Aldo becoming a kind of Cain who slays a fellow ape, Cornelius. (They even got the initials correct, if reversed.) Religion, and prejudice, it seems, have brought this fictional world to a crux, caught in an endless loop of new futures. As Virgil says, there are an infinite number of lanes on this highway. Presumably, traveling back in time opens up all kinds of possibilities.
Despite the number of reused shots in the film—the first ten minutes or so are simply a recapping of the previous two films—and the unfortunate pacing (how could a climax of two angry apes climbing a tree have possibly dragged on for so long?), the movie does have a message. Race tensions, high at the time, are overtly and covertly addressed. Disarmament is praised. The only future that seems not to exist is for one more movie. Interest moved on to science fiction’s apotheosis in Star Wars just four years later. Once again we would find ourselves in a world of black and white, with simple choices. There was no ambiguity among the Jedi. Still, for all that preaching, equality never did reach its goal. So even with its faults (didn’t we see that same tree-house bombed four times?) it is worth dusting off the Battle for the Planet of the Apes once in a while and pondering better possible futures.
On a family walk in the woods, along came a spider. Actually, the spider had already been there quite a while, given the amount of work that its web represented. Few sing the virtues of spider brains, but there is a captivating symmetry here, an aesthetic that nature endows on the work of one of its most feared yet skillful creatures. As I ponder this web, I can’t help but to consider the word sacred. Oh, I don’t suppose the spider is worshipping an eight-legged, arachnid deity, but there is something more than simply utilitarian about its creation. And I wonder why the sacred is so often shuffled off to the realm only of the religious. Increasingly scientists and philosophers are using the word sacred for a trope when superlatives fail. They don’t mean a guy with a beard on a throne in the sky, but rather those things that give us pause in a busy life to stop and think that something more is going on than just the electro-chemical storm in our heads.
At the risk of offending some, the sacred need not be tied to the gods at all. It is, rather, a sense of reverence toward the amazing world in which we find ourselves. Yes, this web can be measured with precision. Its arachnid host captured and studied. We can count the number of insects it catches as a measure of its efficiency. All this and we still won’t have encapsulated the web in its entirety. The sacred is like that. I don’t know why it is that I find some places special. Why it is I linger outside where my childhood homes once stood, or on the hill where stood the hospital in which I entered the world. Although I’m not divine, these places are sacred. So I pull the car to the side of the road and stare at that lot where our house once stood. It was a web. Fragile and necessary. And it was on the edge of the woods.
A walk in the woods is a form of rebirth. Some of my earliest memories are wandering among the trees. I was, like many children, terrified of spiders. No doubt there were thousands of them here. And yet I cannot keep away. Perhaps it is because nearly every day of the week I trundle to Manhattan and there is nothing around me that doesn’t bear the scars of artificiality. I don’t recall the last time I saw a spider in New York City, apart from a man in a blue-and-red costume pretending to be one. I’m sure they’re here. I’m sure they spin their webs and there are those who marvel at how complex and beautiful they are. The unexpected spider will always frighten me, I suppose. That doesn’t mean, however, when I come upon a web, that I haven’t met the secular sacred once more. Especially if it’s on a stroll in the woods.
Some movies are so bad that they become classics. Some are just plain bad. The jury in my head is still out on Sharknado. The story, obviously tongue-in-cheek, is so far-fetched as to be pretentious, and anyone who knows something about either sharks or tornadoes, or both, will likely find credibility waning from the first scene. For those sensible among my readers, who’ve not seen the movie, the title gives it all away. A global-warming-induced hurricane hurries toward Santa Monica with its forever young sun-worshippers. The hurricane floods the California coast, bringing sharks to the city streets. As our protagonists drive around somewhat pointlessly, the sharks attack their car, eventually eating everyone who’s not family. At one point the family tries to buy rations at a liquor store, only to have the news announce that this is the apocalypse. The store owner scowls that it’s the government, not God, that’s bringing this upon them. Then the waterspouts appear, morphing into tornadoes carrying sharks, still hungrily chomping at everything as they fly through the air.
Ironically a biblical theme comes about with the swallowing of Nova. As she falls from a helicopter (don’t ask), a great white shark snaps her up in mid-air, and since she’s about the only character you can care about, the movie seems to have reached its nadir. As the tornadoes dissipate and the sharks coming raining down, the eponymously named Fin is swallowed whole by a huge great white, while still holding his chainsaw. We already know that this latter-day Jonah will make his way back out, and we are supposed to be surprised that this is the very same shark that holds the reborn Nova, who admits her real name is Jenny Lynn. Like Neo in The Matrix, she is the convert to a new faith, this time in the family of Fin, whose only fault, it seems, is that he cares too much for others.
While a made-for-television B movie (although C or D might be more appropriate), Sharknado demonstrates the popular conception of the apocalypse. Not that it will involve flying sharks and destructive wind-storms, but that the end of the world is somehow inevitable. We have convinced ourselves that its a matter of when, not if, the world will meet its demise. Global warming, clearly our fault, is blamed by the movie (as is the government), but the story is that the flimsy culture we’ve constructed is subject to utter ruin by a hurricane and maritime predators. Or I could be reading far too much into this. Religious tropes may be picked and chosen at will. And when things really go wrong, like accidentally switching on Sharknado, we have a ready arsenal of religious ideas at hand to blame. And the apocalypse may be the least of our worries.
Posted in Animals, Bible, Current Events, Movies, Popular Culture, Posts, Religious Violence, Weather
Tagged apocalyptic, apocalypticism, global warming, Jonah, Sharknado, sharks, The Matrix, tornado
While looking for reviewers for a book proposal on Jonah, I had a strange realization. Few mainstream biblical scholars are interested in the book. Or at least in publishing on it. The same goes for the Bible’s other great watery adventure, Noah’s story. Ironically, these are the stories we, as children, are weaned on. Kids love animals, right? And both Noah’s ark and Jonah’s great fish mastication involve animals, as well as lots of water. Both stories have more than a whiff of the fantastic about them—the kind of thing children can relate to. And yet, biblical scholars, collectively, wonder why few people are interested in their work as they take on the more heady work of unraveling Isaiah or Romans.
Jonah used to be a test case for the Fundamentalist crowd. You were a “Bible believer” if you could, with steely gaze, claim that Jonah was swallowed by a fish—the Bible doesn’t say “whale”—and survived three days only to be vomited up on the Levantine shore to make his soggy way back to Assyria. Three days swimming in the gastric juices of just about any animal doesn’t do a great deal for a prophet’s credibility. Or physique. And since the story is fantastic, and populist, scholars avoid it like a giant fish. Meanwhile, John and Susie Q. Public want to know about this story—what does it mean? Did it really happen? Why is it in the Bible at all?
My generalization above is somewhat faulty. (What generalization isn’t?) Evangelical scholars still take an active interest in Jonah. Jonah is the stomach-acid test of faith. Since I never really outgrew my love of monster movies and outlandish plot lines (my brothers recently convinced me that I should see Sharknado) I’m fascinated by the tale of Jonah. It is one of the most carefully constructed stories in the Bible, and it clearly has a very counterintuitive message about who is acceptable in God’s eyes—here’s a hint: they live in Nineveh and even dress their animals in sackcloth when they realize they’ve been naughty. The book of Jonah, however, has been condemned for being a puerile tale of a guy who can hold his breath three days, amid chemicals that can dissolve most organic substances, and utter Psalm-like prayers all the while. Fish stories, after all, are something that many folks intuitively know how to interpret.