Frisbee, like Kleenex and Band-Aid, is a brand name that has become generic. Since at least the time of ancient Greece people have been fascinated with flying discs, and like many kids of my generation I grew up with a Frisbee or two around the house. We didn’t have much money, and in my younger days I remember playing “frisbee” with the lids to large margarine tubs—it’s more difficult to get these to do tricks, but they fly passably well with the right flick of the wrist. When I got to college I started to hear about a new game called “Frisbee golf.” It usually involved a group of friends and their flying discs picking out a target and seeing who could get their Frisbee there in the fewest tosses. Well, college was a couple decades ago (ahem), and who has time for Frisbee in the serious adult world of trying to stay employed? When some friends asked me to join in a game of disc golf over a recent weekend I knew a couple of things had happened. First, Frisbee had been either usurped or commodified to the point that it was either illegal or gouache to use their discs to try to hit “that tree over there,” like the redneck with his shotgun on a Friday night. Second, to play the game you needed to have the right equipment. Out on the course we came across a couple of guys with “golf bags” full of discs that they had to flip through like so many CDs before each toss. I felt woefully amateur. Like golfing in jeans.
Fortunately my friends had discs. Scientifically engineered discs, no less. Different “Frisbees” (not a technical “Frisbee” among them, not even a Wham-o) with different weights and characteristics made for specific tasks. I thought of the famous sculpture of the discus thrower and wondered what Plato would’ve made of all this. Since we were a large group with limited discs, we each chose one to be “our” disc so that we could follow it. It was either a rare show of masculine aggression or perhaps religious curiosity that drew me to the distance disc called Archangel. Bright orange, the Archangel was emblazoned with an actual heavenly being with his (a masculine angel, this) sword. He wore a vaguely Egyptianizing headdress that brought to mind the plagues of Egypt. The disc was heavy compared to a Frisbee, and had an edge like a, well, a sword. A dull sword of course, maybe wooden as opposed to steel. That disc could fly (although it didn’t improve my score much).
Angels have had a long fascination for us mere mortals. Originally a class of messenger gods in antiquity, monotheism forced them into a subservient role where swiftness was essential. For some, such as the Angel of Death (more likely the source of the imagery behind my Archangel), weaponry was essential. Unlike the Angel of Death my aim wasn’t very accurate. Or maybe that is just like the Angel of Death. No firstborn were slain by an hour’s diversion of tossing some Frisbees around, but my thoughts had been driven back to the biblical origins of my implement. I wondered why there was no archangel of peace. A few days later it was announced that Nelson Mandela had died. My thoughts went to Gandhi. To Siddhartha Gautama. Even to Jesus. Yes, there have been those who’ve insisted on the way of peace. And many differences might be settled by a friendly game of Frisbee golf, minus, of course, the copyright infringement.
Posted in Civil Religion, Current Events, Egypt, Just for Fun, Posts, Religious Violence
Tagged Angel of Death, angels, archangel, Buddha, disc golf, Frisbee golf, Gandhi, Jesus, Nelson Mandela
With all the buzz about the new Carrie movie just released, I decided to go back and watch the Brian De Palma version again. I’ve written here before about the religious symbolism of the movie, but I have to confess to never having read the novel. This time a particular symbol stood out, and I’m not sure whether it derives from De Palma or King. Crosses abound in the 1976 Carrie. This is a bit odd because of the indeterminate religion of Carrie’s mother. Clearly she has a belief in Jesus, but an odd Jesus it is. In Carrie’s prayer closet the statue—presumably of Jesus, since it is never clearly identified otherwise—is of a man whose abdomen in pierced with arrows. Those familiar with saints immediately recognize Saint Sebastian, but the arms are outstretched, as if this poor victim were both crucified and superfluously shot with arrows. The traditional cross, however, seems to be missing in that dark room. It reappears on prom night.
While Carrie is getting ready for the prom, her crazed mother peers out the window at passing cars, telling Carrie that Tommy isn’t coming. In one shot, as two cars pass in the street, there appears an inverted white cross on the road. I supposed at first that this was a painted parking space marker, but then, this is a residential street, and no such markers appear in other shots. Carrie’s mother had accused her of being a witch, and the upside-down cross is an oft-claimed symbol of Satanism (not the same, however, as Wicca). At the prom, Tommy insists that Carrie vote for them as the prom queen and king. When Carrie makes her x, the camera angle rotates slightly to reveal the sign as a Latin, as opposed to Saint Andrew’s cross. After Carrie kills everyone and goes home, her mother stabs her and, chasing her through the kitchen, makes the sign of the cross with her knife. Finally, Sue—in a dream?—wanders to Carrie’s burnt down house to lay flowers at the foot of a “for sale” sign that is a white cross, with the clashing words “Carrie White Burns in Hell” scrawled on it.
I may have missed more since the use of the symbol only dawned when the passing cars pointed me toward it. There is a strange kind of misuse of the cross here—not visible on the Sebastian-Jesus, and ultimately also Carrie’s mother figures, but inverted on the street, a sign of pride at the voting, made with a knife by the mother, and scrawled with an arrow pointing to Hell in the final scene. Carrie’s fiery end appears to confirm her mother’s interpretation of telekinesis as witchcraft. There is no forgiveness in this film. Well, I suppose I’ll have to go see the remake now. And maybe even read the book. I need to know if I’m just seeing things or if I’m still sleep-deprived from worrying about jobs and a surfeit of imagination as October’s chill settles in.
While trawling the internet over the weekend, I came upon an interesting article that ties together religion and paranormal belief. According to ADG, a unnamed woman (already the question marks erupt) in Galilee in 1967 was visited by aliens. Instead of photographing them, as most unnamed women would, she followed their instructions to point her camera at the lake (Sea of Galilee) and snap one for the album. When she turned back around the aliens were gone, and when she had the film developed there was a picture of Jesus and a disciple or two, walking along the sea in earnest conversation. Well, one doesn’t have to be a scholar of Tobit to spot the apocryphal, and this obviously bogus story received far more hits than any of my posts do. People are fascinated by the concept, even though most of the comments show some healthy skepticism.
To me the fascinating aspect is that religion and paranormal topics hold hands so easily. That is not to suggest they are the same thing, but rather that they are both perhaps directed toward a similar goal. We find ourselves in a cold world, often. There are cruelties, atrocities, and a disheartening lack of care for others. We want to believe that somebody out there has got our backs. Is it so different to believe that God dwells in the sky than to believe that aliens do as well? What is more important than the putative fact of such celestial dwellers is the belief in them. Our minds, no matter how we may protest otherwise, are perfectly well aware of their own limitations. We can’t know everything, and so we must believe.
Many of us find ourselves in an uninspiring cycle of work, sleep, and work. Sometimes we actually even do sleep, too. Cogs in a capitalistic money machine, we leave our weekends free (sometimes) to pursue a little meaning. As much as some may castigate religion, we should not forget that without it we would not have the weekend! For a little while we can break the meaningless cycle, the treadmill upon which we heavily thump our way through five days out of every seven. Is it any wonder that so many want to believe that, like Calgon, aliens might come to take us away from our drudgery? If that doesn’t work, there’s always religious services. All you have to do is point your camera and believe.
Posted in Bibliolatry, Consciousness, Just for Fun, Posts, Religious Origins
Tagged aliens, belief, capitalism, Israel, Jesus, paranormal, Tobit, weekends
Biblical tropes are alive and well in popular culture. Many would choose the flight option rather than admit they enjoy a good Bible story. They may anyway, however, without realizing it. Although The Dark Knight Rises came out over a year ago, I only just had the chance to watch it. For a kid who grew up on the campy 1960’s television series, Christopher Nolan offers adult fare. Put the kiddie menu away and sit up straight at the table. I don’t read reviews, in general, before seeing movies because I don’t enjoy spoilers. I had no idea whether Batman would come out of this alive or not. I wasn’t really even sure who Bane was (even before The Dark Knight everyone knew who the Joker was, or thought they did). The Dark Knight Rises places the whole of Heilsgeschichte (sacred history) before the viewer with verbal cues. Unless you’re reading while watching, you’ll miss it though.
Bruce Wayne is clearly cast as the wounded healer in this final installment of the trilogy. Physically and psychologically crippled, he hobbles around in a combination of Jesus and Yoda figures, somehow supernatural yet fully human. Death and resurrection transpire twice for him in this film. When Bane breaks Batman’s back (an often fatal injury) even Catwoman thinks he might be dead. He is very much alive, however, in the prison only “Bane” escaped (resurrection one). Not only does he rise from the grave, he also ascends into heaven by escaping the well—anyone who’s read Jeremiah, or even Genesis, knows the origin of that motif. Risen, ascended, and glorified, Batman returns to beat the crap out of Bane. But the bomb is still on the loose and before Batman faces his nemesis he tells Commissioner Gordon to arrange “an exodus”—Joseph’s descendants must get out of Egypt. At the Red Sea (the Hudson River) the Pharaoh’s army blocks the exodus of the children of St. Swithun’s who, in response, bow their heads in prayer (am I the only one seeing this?)
Commissioner Gordon, found guilty of betraying the common man, receives the sentence of Exile (“death, by exile” to be precise). Again, those sensitive to Jeremiah know that exile is a kind of death, but death with a noble purpose. The Heilsgeschichte of Israel involves exodus and exile. The Christians added on death, resurrection, and ascension. Christopher Nolan put them together in one Dark Knight. But I mentioned two resurrections, no? Flying the bomb out of Gotham, Batman is definitively blown to smithereens—the blast radius was, after all, six miles. And yet, Alfred has a post-resurrection visitation, where no touching occurs (Touch me not; for I am not yet ascended to my Father) sees his savior. Was the Bat the Holy Spirit on autopilot? Is that Catwoman with him? Might I be so bold as to type Mary Magdalene? Well, I may be over a year late with my observations of The Dark Knight Rises, but as I think Christopher Nolan understands, the Bible has been lying around even longer. If the success of this movie is anything to go by, it will be around for a long time yet to come.
Posted in Bible, Genesis, Movies, Popular Culture, Posts
Tagged Bane, Bible, Catwoman, Christopher Nolan, Dark Knight Rises, Exile, Exodus, Heilsgeschichte, Jeremiah, Jesus, Joseph, resurrection